PHILIPS
RECORDS
Philips Records was the record division of the Dutch
electrical firm of the same name. Philips started issuing records in 1950,
licensing product from American Columbia; it developed steadily, forming a
subsidiary, Fontana, in 1957, and buying Mercury Records in 1963.
Philips Electrical linked up with Siemens (Deutsche Grammophon / Polydor) in
1962, to form the Gramophon Philips Group; 1972 saw that relationship brought
closer, when GPG evolved into Polygram. At that time the Philips-related
labels were brought together under the 'Phonogram' umbrella. Phonogram and
Polydor retained separate management staff until 1981. Philips Records
flourished in the '50s and early '60s, both in the field of Classical music and
- thanks to such artists as Doris Day, Marty Wilde, Frankie Laine, and Frankie
Vaughan - in the field of Pop. The Four Seasons, the Walker Brothers and
Dusty Springfield kept the successes coming in throughout the '60s, but in the
decade with which this site is concerned the Philips label as such lacked any
consistent hit-makers, though Demis Roussos and Peters & Lee enjoyed periods
of Chart success; happily, the company's Progressive offshoot, Vertigo, weighed
in with Status Quo. Philips was a little slow to change over from 78 rpm
to 45 rpm records. Their first series of 45s were intended for juke box
use only, the issues being standard 78s; they were numbered in a JK-1000 series
and their labels bore the appropriate marking. As far as the main popular
series is concerned, catalogue numbers seems to have started at PB-100, in the
78 rpm era. They appeared on the right-hand side of the label; there was
an equally large six-figure number, with a 'BF' suffix, on the left-hand
side. The PB-100s had risen into the PB-1200s by the Spring of 1962, at
which point they were dropped, the six-figure numbers being used instead.
The main series was 326500-BF, but there were others such as 304000-BF and
324900-BF, which presumably contained material from different sources. This
scheme of things lasted for roughly a year; around May 1963 the old numbering
was re-adopted, starting in the 1200s where it left off, but the 'BF' was
retained, this time as a prefix. This time around the numbers were on the
left-hand side - the six-figure numbers remained, but were in much smaller
print. In 1970 Philips abandoned its prefix / number system and started
issuing singles with seven-digit catalogue numbers, the first number of the
seven being '6'; the other Phonogram labels also did this. Most Philips
singles were numbered in the 6006-000s, but lots of other blocks were
used. These appear to have denoted the origin of the records
concerned: for example 6003s were German, 6009s French, and 6012s Dutch.
Philips's main series of singles always had blue labels. Initially the
company name was in comparatively small print, and a process called 'Minigroove'
was given prominence; from January / February 1962 the 'Minigroove' disappeared
and the name grew slightly. The name grew again in June 1964, and a grid
of lines appeared on the label; this design remained essentially unchanged into
the early '70s. The kind of dinking which results in three prongs (as
shown in many of the above) appears to have been peculiar to the Polydor and
Philips companies, as were the rather graceful triangular 'spiders' which were
supplied with factory-dinked singles - it was common in the early '70s for
singles in the Polydor and Philips family labels to be dinked before they left
the factory. The first injection-moulded labels appeared in 1971, and had
the same trio of dinking perforations that the old paper label had had; at this
stage singles could be found in either paper-labelled or injection moulded
form. At first the 'prohibitions' around the label's edge were inside the
outer ring but they soon migrated outside it. In 1973 injection moulded
singles became the norm. Most came with solid centres but some had large
spindle holes and three-pronged 'spiders'; injection moulded singles with 'BF'
prefixes are reissues from the mid '70s. Usually injection-moulded singles
were coloured blue, but occasionally silver10) or beige paint was used; Football
records led to a couple of other colours being used: a red label graced a
tribute single to Manchester United F. C. while a West Ham song was coloured
what I suppose was intended to be metallic 'claret'. Paper labels appeared
every now and again as a result of contract pressings done by other firms; the
example shown was manufactured by Pye. The late '50s and the very early
'60s saw a 'Musical Gems' series of Classical singles, which had sea-green
labels and their own SBF-100 numbers. Jazz music briefly had its own
red-labelled 'Junior Jazz Series' of singles, numbered in the JAZ-100s.
The main series of EPs in the '50s) and early '60s had black labels and numbers
in the BBE-12000s; there were two series of Classical EPs, one of which had
green labels NBE-11000 numbers, the other purple labels and numbers in the
ABE-10000s. The popular EPs underwent the same kind of number-change in
1962-63 as the singles did, being numbered in the 433600-BFs for that period;
they then reverted to the old 12000 numbers but had a 'BE' prefix instead of the
old 'BBE' one. The advent of stereo saw two more sets of numbers:
SBBE-9000 for Popular EPs, and SABE-2000 for Classical ones. Records
intended for demonstration purposes had white labels initially, which could be
plain or have the details handwritten or printed on them) but 'Sample Record'
stickers were also used from early on, being applied to stock copies. The
white label demos disappeared in late 1960 or early 1961. From around the
middle of 1965 into the following year the stickers seem to have been replaced
with a rough yellow handstamp reading 'Sample not for sale'. 1969 saw the
reintroduction of dedicated promo labels: they were white with a large hollow
red 'A'. Philips singles from the early '70s had a purple sleeve; those
from the mid and late '70s shared a corporate Phonogram sleeve with the
company's other labels. A short-lived 'Take 3' series of three-track EPs
appeared in 1971 and had its own particular sleeve. Thanks to
Robert Lyons For The Info.

A FULL DISCOGRAPHY
OF PHILIPS 6000-000 SERIES 1970-1982 CAN BE FOUND HERE



A FULL DISCOGRAPHY
OF PHILIPS 6006-000 SERIES 1970-1979 CAN BE FOUND HERE

A FULL
DISCOGRAPHY OF PHILIPS 6003-000 SERIES 1970-1980 CAN BE
FOUND HERE

A FULL DISCOGRAPHY OF PHILIPS 6003-000 SERIES 1970-1980 CAN BE
FOUND HERE

A FULL DISCOGRAPHY OF PHILIPS 6012-000 SERIES 1970-1980 CAN BE
FOUND HERE

A FULL DISCOGRAPHY OF PHILIPS 6015-000 SERIES 1970-1979 CAN BE
FOUND HERE

A FULL DISCOGRAPHY
OF PHILIPS 6019-000 SERIES 1970-1978 CAN BE
FOUND HERE

A FULL DISCOGRAPHY
OF PHILIPS 6021-000 SERIES 1970-1982 CAN BE
FOUND HERE

A FULL DISCOGRAPHY
OF PHILIPS 6025-000 SERIES 1970-1982 CAN BE FOUND HERE

A FULL DISCOGRAPHY
OF PHILIPS 6028-000 SERIES 1971-1982 CAN BE FOUND HERE

A FULL DISCOGRAPHY
OF PHILIPS 6031-000 SERIES 1971-1982 CAN BE FOUND HERE

A FULL DISCOGRAPHY
OF PHILIPS 6037-000 SERIES 1971-1981 CAN BE FOUND HERE

A FULL DISCOGRAPHY
OF PHILIPS 6038-000 SERIES 1979-1982 CAN BE FOUND HERE
A FULL DISCOGRAPHY
OF PHILIPS 6042-000 SERIES 1975-1980 CAN BE FOUND HERE

A FULL DISCOGRAPHY
OF PHILIPS 6049-000 SERIES 1970-1980 CAN BE FOUND HERE

A FULL DISCOGRAPHY
OF PHILIPS 6051-000 SERIES 1970-1973 CAN BE FOUND HERE

A FULL DISCOGRAPHY
OF PHILIPS 6053-000 SERIES 1970-1982 CAN BE FOUND HERE
73 |
Ryoko
Moriyama |
Bright Shines The Light Of Love / Dear John |
PHILIPS |
6058 |
026 |


A FULL DISCOGRAPHY
OF PHILIPS 6073-000 SERIES 1970-1976 CAN BE FOUND HERE



A FULL DISCOGRAPHY
OF PHILIPS 6078-000 SERIES 1972-1979 CAN BE FOUND HERE
71 |
Rameses |
Balloon |
PHILIPS |
6113 |
001 |
71 |
Greenfield |
Sweet
America |
PHILIPS |
6113 |
002 |
71 |
Rameses |
Jesus Come
Back |
PHILIPS |
6113 |
003 |
71 |
Johnny Hallyday |
Oh! Ma Jolie Sarah (Gentle
Sarah |
PHILIPS |
6118 |
001 |
71 |
Michel Sardou |
Je T'Aime, Je T'Aime |
PHILIPS |
6118 |
002 |
71 |
Sim |
J'Aime Pas Les Rhododendrons / Je Suis
Heureux |
PHILIPS |
6118 |
003 |
71 |
Les Parisiennes |
Yamamoto Kakapote / File Le Temps |
PHILIPS |
6118 |
004 |
71 |
Marc Zarka |
Quand Un Amour Viendra Frapper à Ma Porte /
Reviendra-t-Elle |
PHILIPS |
6118 |
005 |
71 |
Demis Roussos |
We Shall Dance |
PHILIPS |
6118 |
006 |
71 |
Helena Madanec |
La Gospoda |
PHILIPS |
6118 |
007 |
71 |
Phil Group |
Hum... / Les Fleurs Du Bien, Les Fleurs Du
Mal |
PHILIPS |
6118 |
008 |
71 |
Rika Zaraï |
Moi Le Dimanche • Deja La Fin De
L'ete |
PHILIPS |
6118 |
009 |
71 |
Catherine Le Forestier |
Le
Pays De Ton Corps |
PHILIPS |
6118 |
010 |
71 |
Anne Richard |
De L'Air Du Soleil De L'eau |
PHILIPS |
6118 |
011 |
71 |
Frida Boccara |
Venise Va Mourir / Pour Vivre Ensemble |
PHILIPS |
6118 |
012 |
71 |
Not Traced |
|
PHILIPS |
6118 |
013 |
71 |
Serge
Gainsbourg |
Ballade De Melody Nelson / Valse De
Melody |
PHILIPS |
6118 |
014 |
71 |
Jean Marie Leoni |
Le Jour Se Lève ? |
PHILIPS |
6118 |
015 |
71 |
Vincenza |
Non, T'En Fais Pas / Le temps D'Un Sourire
? |
PHILIPS |
6118 |
016 |
71 |
Serge Lama |
Superman |
PHILIPS |
6118 |
017 |
71 |
Samsong |
Deux Pierres De Silex |
PHILIPS |
6118 |
018 |
71 |
Marianne Feld |
L' Hymne A L' Homme Homme |
PHILIPS |
6118 |
019 |
71 |
Jean Lefebvre |
Aimons nous les uns les autres/Moi j'drague
pas |
PHILIPS |
6118 |
020 |
71 |
Le Grand Orchestre De Paul Mauriat |
Anonimo Veneziano |
PHILIPS |
6118 |
021 |
71 |
Romain |
Sophie / Mea Culpa |
PHILIPS |
6118 |
022 |
71 |
Sylvette Cabrisseau |
Je Vis Comme Je Vis / Paco Paquito |
PHILIPS |
6118 |
023 |
71 |
Eros |
Rain Train / I Can See It |
PHILIPS |
6118 |
024 |
A FULL DISCOGRAPHY
OF PHILIPS 6146-000 SERIES 1971-1978 CAN BE FOUND HERE

76 |
Walker Brothers |
The Sun Ain'T Gonna Shine
Anymore |
PHILIPS |
6160 |
050 |
76 |
The
Shangri-Las |
Past, Present And Future / Give Him A Great Big
Kiss |
PHILIPS |
6160 |
051 |
76 |
The
Shangri-Las |
Leader Of The Pack / Past Present And
Future |
PHILIPS |
6160 |
051 |

A FULL DISCOGRAPHY
OF PHILIPS 6168-000 SERIES 1971-1978 CAN BE FOUND HERE
78 |
Nana
Mouskouri |
Lieder, Die Die Liebe Schreibt |
PHILIPS |
6176 |
001 |
78 |
Nana
Mouskouri |
There's A Time / Roses Love
Sunshine |
PHILIPS |
6176 |
002 |
78 |
Nana Mouskouri |
Un Beau Matin A La Fraiche |
PHILIPS |
6176 |
003 |
78 |
Not Traced |
|
PHILIPS |
6176 |
004 |
78 |
Nana Mouskouri |
For One
Cent |
PHILIPS |
6176 |
005 |
79 |
Nana Mouskouri |
For One Cent
(Nickels And Dimes) / Über Nacht |
PHILIPS |
6176 |
006 |
79 |
Nana Mouskouri |
C'est Mon Histoire |
PHILIPS |
6176 |
007 |
79 |
Nana Mouskouri |
Because Summer Was Winter |
PHILIPS |
6176 |
008 |
79 |
Nana Mouskouri |
Vivre Au
Soleil |
PHILIPS |
6176 |
009 |
79 |
Nana Mouskouri |
Die Rose (German Original Version) |
PHILIPS |
6176 |
010 |
75 |
Not Traced |
|
PHILIPS |
6196 |
101 |
75 |
Not Traced |
|
PHILIPS |
6196 |
102 |
75 |
Vittorio Negri |
Juditha Triumphans .Vivaldi |
PHILIPS |
6196 |
103 |
78 |
Rodrigo |
Fanfare Et Fandango |
PHILIPS |
6196 |
104 |
78 |
Not Traced |
|
PHILIPS |
6196 |
105 |
78 |
Not Traced |
|
PHILIPS |
6196 |
106 |
78 |
Not Traced |
|
PHILIPS |
6196 |
107 |
78 |
Not Traced |
|
PHILIPS |
6196 |
108 |
78 |
Not Traced |
|
PHILIPS |
6196 |
109 |
79 |
Jessye Norman |
Great Day |
PHILIPS |
6196 |
110 |

A FULL DISCOGRAPHY
OF PHILIPS 6198-000 SERIES 1973-1982 CAN BE FOUND HERE
76 |
Carlos Santana |
Going Nowhere |
PHILIPS |
6203 |
301 |

A
FULL DISCOGRAPHY OF PHILIPS 6832-000 SERIES 1970-1980 CAN BE
FOUND HERE
72 |
Dusty
Springfield |
Star Dusty |
PHILIPS |
6850 |
751 |
72 |
Luis Alberto del Parana y Los
Paraguayos |
Los Paraguayos Extraordinaire |
PHILIPS |
6850 |
752 |
77 |
Mike Harding |
Born Bad |
PHILLIPS |
CLOG |
1 |
79 |
Mike Harding |
Disco Vampire |
PHILLIPS |
CLOG |
2 |
76 |
Roussos Demis |
Forever An
Ever |
PHILLIPS |
DEMIS |
001 |
77 |
Roussos Demis |
Kyrila |
PHILLIPS |
DEMIS |
002 |
77 |
Green Hughie |
Stand Up And Be
Counted |
PHILLIPS |
GB |
001 |

78 |
Sydney Devine |
Scotland
Forever |
PHILLIPS |
SCOT |
1 |
78 |
Sydney Devine |
Pride Of Bonnie Scotland |
PHILLIPS |
SCOT |
2 |
79 |
Sydney Devine |
One Day At A Time |
PHILLIPS |
SCOT |
3 |
75 |
National Shinguard Company |
I'm Forever Blowing Bubbles;
Glory Glory Hallelujah |
PHILLIPS |
WEST |
1 |
