CHRYSALIS
RECORDS
Chrysalis was the brainchild of managers / promoters Chris
Wright and Terry Ellis, partners in the Ellis Wright agency. Late in
the '60s they agreed a licensing deal with Island for their clients; the
agreement stated that if the pair achieved a certain number of hits within a set
period they would be given their own label. The hits duly arrived, and
Chrysalis was born. It went on to become one of the most successful, and
most respected, of the independent record companies. Chrysalis appeared to
go in for 'grown up' music - such as that of Jethro Tull - rather than for Pop,
but it still produced a string of hit singles in the '70s, notably with Leo
Sayer and Blondie. The company used three different kinds of label in the
'70s, with some minor variations. The familiar green-and-red type was
initially pressed by Polydor and had either a three-pronged push-out centre
or a large central hole; these singles shared Island's WIP-6000 numbering
system. The white 'Manufactured and distributed by Island Records' at the top
remained for a short while after the company turned to EMI for manufacture and
numbering changed to a dedicated CHS-2000 series, in 1972, but it had
disappeared by the time CHS-2007 came out. A set of prohibitions at the top
appeared in August 1975; for the first three releases they
were coloured black but they very soon turned red, and stayed that way
while the green label lasted. Demo copies were signified by a black 'A'
. When Phonogram / Phonodisc took over manufacture and distribution from
EMI a standard Phonogram injection-moulded-type label came in; at first it was
green, but latterly it turned blue. Contract pressings of popular
singles had blue-and-white paper labels. Presumably in imitation of
Island's plain pink sleeve, green-labelled Chrysalis singles were given a plain
pale-green one, which gained a logo and turned blue during the
Phonogram era. The CHS-2000 numbering remained unchanged during the
transition from EMI to Phonodisc. That series was shared by singles on the
Scratchy and Air labels. As usual, the discography is gappy, many of
the gaps is down to the numbers being used for overseas releases. pressing
of the CHS singles was done by either EMI or Phonodisc. Wright bought out
Ellis in 1985; he sold Chrysalis Records to EMI in 1991 but retained the
publishing arm, Chrysalis Music. Thanks to
Robert Lyons For The Info.
69 |
Tull Jethro |
Sweet Dream |
CHRYSALIS |
WIP |
6070 |
70 |
Tull Jethro |
Witches Promise |
CHRYSALIS |
WIP |
6077 |
70 |
Blodwyn Pig |
Same Old Story |
CHRYSALIS |
WIP |
6078 |
70 |
Tull Jethro |
Inside |
CHRYSALIS |
WIP |
6081 |
70 |
Tir Na Nog |
I´M Happy To Be |
CHRYSALIS |
WIP |
6090 |
70 |
Bronco |
Lazy Now |
CHRYSALIS |
WIP |
6096 |
71 |
Tull Jethro |
Lick Your Fingers Clean |
CHRYSALIS |
WIP |
6098 |
71 |
Tull Jethro |
Life Is A Long Song |
CHRYSALIS |
WIP |
6106 |



A FULL
DISCOGRAPHY OF CHRYSALIS CHA 2000 SERIES 1972-1986 CAN BE FOUND HERE
73 |
Bedlam |
I Believe In You (Fire In My
Body) |
CHRYSALIS |
CFB |
1 |
75 |
Mandalaband |
Om Mani Padme Hum (1St Movement) |
CHRYSALIS |
CDJ |
101 |
75 |
Rory Gallagher |
Souped Up Ford |
CHRYSALIS |
CDJ |
102 |

76 |
The Babys |
If You'Ve Got The
Time |
CHRYSALIS |
CXP |
1 |
76 |
Jethro Tull |
Ring Out, Solstice Bells |
CHRYSALIS |
CXP |
2 |
76 |
Not Traced |
|
CHRYSALIS |
CXP |
3 |
77 |
Gentle Giant |
Playing
The Fool |
CHRYSALIS |
CXP |
4 |
